In the autonomous region of Navarra, Spain The city of Pamplona has a special event, the San Fermin Festival (SanFermin:), also known as the Running of the Bulls Festival; held every year between July 6-14, in the days of the festival, every day, six fierce bulls chasing hundreds of strong men, along the "Road of the Running of the Bulls" through the city, straight to the bullring, the scene is extremely thrilling. The scene is extremely thrilling.

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According to records, the Bull Run festival existed in 1591 AD. This traditional celebration, which has been going on since the Middle Ages, is still very much in the limelight today. In addition to the thrill of the event, another important reason may be the attraction of Ernest Hemingway's famous book The Sun Also Rises (FIESTA, 1928). The citizens commemorate the founder and protector of the city, San Fermín, on October 10 every year, when it was a purely religious festival. Later, the citizens decided to celebrate St. Fermin's Day in the summer when the weather was better, and after the 14th century merchants drove cattle from outside the city to the city for bullfights in the summer. The two events gradually blended together.

Every year, San Fermín begins at noon on July 6. At this moment thousands of people wait in the square in front of the city hall (Ayuntamiento), holding their bright red San Fermin scarves above their heads. At this moment, the mayor lights a chupinazo from the balcony of the hall to announce the beginning of the Feast of San Fermin, while the visitors quickly tie the scarves around their necks. Afterwards, several huge balloons are raised in the square, and the whole city and its visitors open and spray a lot of champagne on each other. Before that, the crowds in the square will start throwing eggs at each other to celebrate in advance.

The Valencia Ocean Park (L' Oceanogràfic) is Europe's largest marine park, located in Valencia, Spain, designed by designer Rex Candila. In this 119,000 square foot intricate marine world, there are more than 45,000 species of marine life from all over the world, including the Mediterranean, the Arctic, the tropics and the Red Sea. The underwater tunnel of beluga whales is always the most popular.

By day it resembles a white water lily, spreading its petals lightly and lying flat in the water; by night it is like a white water lily. When night falls, the waterfront is quiet and the reflection is vague, like a dream fantasy, and it forms a quiet picture with the reflection of the petals in the water. The aquarium takes you into the magical underwater world, where every animal is so friendly and new, and you will learn a lot of knowledge about animals while watching the marine animals.

The Atlantic Aquarium is divided into 10 different There are more than 500 species and 45,000 different kinds of animals, including fish, mammals, birds, reptiles and invertebrates, sharks, penguins, dolphins, sea lions, walruses and beluga whales are the most common animals in the museum. There is also a special dolphin pool in the Atlantic Aquarium where you can enjoy a fantastic dolphin show.

is one of the largest online catalogs of museums around the world. catalogue. The site promises to keep museum information as up-to-date and accurate as possible. But it is a difficult and huge task, and mistakes are inevitable. This requires the help of people around the world to correct errors! As soon as you find an error, you can contact the website and submit the information. Once you find a mistake, you can contact the website immediately and submit the information.

Go to the website, select the museum you are interested in and click Go inside. On each museum page, you will find a link to "Edit Museum Information". Click to enable the in-museum editor and you will be able to participate in fleshing out every detail. Please help the museum to fill in the details or correct errors as accurately as possible. Let the world work together to create the world's largest and most authoritative museum online catalog and efforts!

MuseodelPrado: Museodel Prado is the largest art museum in Spain, located in Madrid, with a collection of famous European artworks from the 14th to the 19th century; the Museodel Prado was built in the 18th century and is located in Madrid, Spain.

The Prado Museum (Spanish: The Museo Nacional del Prado, or Prado Museum, is considered one of the world's greatest museums and the most comprehensive and authoritative collection of Spanish paintings. The collection includes Spanish, Flemish and Italian art from the 15th to 19th centuries. The museum is particularly rich in the works of the Spanish painter Goya. The second floor is the most important part of the museum, divided into many small halls, displaying a lot of Spanish and Italian paintings, visitors have to spend half a day to see everything.

The main building of the Prado, designed in the late 18th century by architect Juan de Villanueva in the neoclassical style, was originally used as a natural science museum. After several changes, especially after the French invasion of Spain, when Napoleon installed his brother on the Spanish throne, the Prado was converted into a museum of painting and opened in 1819 by order of Ferdinand VII (reigned 1813-1833). In addition to a large number of paintings, it also houses engravings, drawings, furniture, coins, medals, decorative arts ranging from tapestries to stained glass windows, and rare jewels. Another building from the late 18th century, the Villa Hermosa Palace, houses works by European and Spanish artists of the 18th century; the latter, centered on the work of Goya, highlights the unparalleled character of this talented Aragonese artist. Not far from these two buildings is the "Hermitage", the remaining part of the old palace of the same name, which exhibits works of art from the 19th century, starting with Goya and ending with Juan Gris, Miró, Picasso - whose famous Guernica was included in the Prado in 1981. It was later moved to the Reina Sofia due to the size of the painting.

The Prado, like other European museums, began with the royal family. After the opening of the museum in 1819, the royal collection was gradually transferred to the museum. In 1868, the Spanish Revolution overthrew Elisabeth II (1833-1868) and the "Royal Museum" was nationalized and renamed the "National Museum of Painting and Sculpture. In 1868, when the Spanish Revolution overthrew Elizabel II (1833-1868), the "Royal Museum" was nationalized and renamed the "National Museum of Painting and Sculpture. In 1872, in accordance with the liberal policy of the second half of the 19th century, the Prado confiscated the art collections of the sequestered religious communities and, in particular, received the collections of the National Trinity Museum, which had been built in 1836, thereby adding a large number of religiously themed Spanish paintings and sculptures. This led to a significant increase in the number of religiously themed Spanish paintings and sculptures.

In the 20th century, the Prado has continued to expand and renew itself, and is now the most important center in Spain for exhibitions, presentations, concerts, and other cultural activities. It attaches great importance to the maintenance of buildings and facilities; in addition, according to the new requirements of museology, it is committed to the temperature and humidity regulation of exhibition rooms, drainage and fire prevention and other improvements, so that the museum moves forward with the times and moves smoothly into the 21st century.

The Prado Museum's collection consists of approximately 5,000 drawings, 2,000 prints, 1,000 coins and medals, 2,000 decorations and other works of art, and more than 700 sculptures, but the most important collection is the paintings of the masters, which number approximately 8,600, making the Prado Museum one of the world's The Prado Museum is among the world's most famous museums.

The Prado Museum is the museum with the largest collection of works by Rodriguez de Silva Velázquez Diego and Francisco José de Goya Lucientez in the world, as well as the museum with the largest collection of works by the Dutch painter Hieronymus Bosch, who was admired by the former King of Spain, Philip II. It is also the museum with the largest collection of works by the Dutch painter Hieronymus Bosch, as the former King of Spain, Philip II, admired his paintings and collected them with great vigor. The museum also has works by Raphael, Michelangelo, Titian Vecellio, Peter Paul Rubens, Rembrandt Harmonsson van Rijn, Albrecht Dürer, Sandro Botticelli, Paul Veronese and other masters of the Renaissance period, as well as works by some other Italian and Greek painters.

The Barcelona Museum of Contemporary Art ( The Museu d'Art Contemporani de Barcelona, as a public entity, has the social responsibility of spreading and promoting contemporary art, presenting a wide range of artistic visions, and generating critical discussions about art and culture, while it also aims to reach an increasingly diverse audience.

The Museo de Arte Contemporaneo de Barcelona is a place where the public can find a space to express their public aspirations. The Museum of Contemporary Art of Barcelona is an open institution where the public can find a space to express their aspirations, with a priority on education and innovation among the areas it covers. In addition, it is committed to the preservation of cultural heritage and cooperation with other institutions, remaining at the forefront of the Spanish Catalan art system and consolidating Barcelona's position as a world art capital and international art benchmark.

The Museum of Contemporary Art of Barcelona is managed by the MACBA Consortium, an organization founded in 1988. In 1995, MACBA officially opened its headquarters in the heart of the Raval district, in a new building designed by South American architect Richard Meier. In 1995, the Museum of Contemporary Art in Barcelona opened its headquarters in the heart of the Raval district, in a new building designed by South American architect Richard Meier. Since then, the museum has continued to expand into new areas of contemporary art and the dissemination of cultural practices, and the influence of the MOCA has helped make Barcelona a city with a reputation for innovation.

In 1959, the art critic Alexandre Cirici Pellicer initiated a series of 23 exhibitions by a group of contemporary artists to The series of 23 exhibitions was initiated by Alexandre Cirici Pellicer, a contemporary artist, with the aim of opening the collection of the New Museum of Contemporary Art in Barcelona. It was not until 1986 that the Barcelona City Council recommended the American architectural firm of Richard Meyer and Associates to design the museum, and hired art critics Franscesc Miralles and Rosa Queralt to write a book on the museum. Queralt was hired to write the museum's mission statement.

In 1987 the Museo de Arte Contemporaneo de Barcelona Foundation was founded, and in the following year it worked with the Generalitat de Catalunya (Autonomous Government of Catalonia) and the Municipal Council of Barcelona to establish the Museo de Arte Contemporaneo de Barcelona Consortium ( In late 1988, the Consortium appointed Richard Meyer to design and build the museum, which was controversial at the time because it had no collections at the time of construction.

However, Meyer withstood the pressure and faced the difficulties to design a museum that at the time did not know what kind of contemporary art would eventually be exhibited. With an investment of 35 million dollars, the Museum of Contemporary Art of Barcelona was completed and was described by the local press as the "jewel" of Barcelona's old buildings and narrow streets, and is located just a few blocks away from the center of Barcelona's Gothic architecture. The Museum of Contemporary Art Barcelona's architectural style is highly modernist, with a simple white cube shape and a combination of vertical and horizontal facades created through facade cuts and the bold introduction of anomalies, giving the space endless variety. The south-facing design of the museum not only provides ample natural light for the interior exhibition halls, but also allows the public to enjoy the outside plaza in the museum.

The Spanish Museum of Art, Architecture and Technology ( Museum of Art, Architecture and Technology (MAAT) is a museum located in Lisbon, Portugal, on the banks of the Tagus River, designed by Amanda Willett, and has been described as a spatial spectacle of Lisbon's cultural novelty.

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Many of the great Portuguese explorers of the Age of Sail set sail from this port. The museum embodies a new relationship with the river and the wider world with which it is connected, presenting a powerful yet grounded and sensual architectural expression that explores the possibilities of the intersection of contemporary art, architecture and technology.

Architect Amanda Levete created a natural connection between the city of Lisbon and the border river with organic shapes, and the natural light reflects on the building to create a dazzling metallic texture. The building itself is worth a visit.

Visitors can walk underneath, in the middle and on the roof of the museum, where they can also enjoy a panoramic view of the Tagus River. The design aims to re-establish the city of Lisbon's long-standing connection with the Tagus River. The stairway to the river is flooded at high tide, creating an ever-changing environment.

Valencia Fajr (Torch Festival) is Held annually from March 12 to March 19, the Fajr Festival is arguably one of the most important traditional celebrations of the Valencian Silk, commemorating the city's long Silk Road history and attracting thousands of visitors to the region each year to set fire to welcome spring.

The Valencian Fajr Festival was celebrated on November 30, 2016 by the United Nations November 30, 2016 by the United Nations Intergovernmental Committee for the Safeguarding of Intangible Cultural Heritage inscribed on the "UNESCO Representative List of the Intangible Cultural Heritage of Humanity". The festival was born in Valencia in the 18th century and is currently held in 160 cities, with some 800 committees actively leading the organization of some 200,000 "Falleros" and "Falleras" (volunteers who organize and participate in the festival). The Fajr celebration extends far beyond the Valencia region and is held in other Spanish cities such as Barcelona and Mallorca, as well as in other countries such as Argentina. It is also an important stimulus to promote many activities related to the historical Silk Road.

The Faja Festival brings back the traditional Valencian silk The festival brings back the revival of traditional Valencian silk clothing, bringing back the style from the 18th century. The famous traditional costumes, worn by the "Falleros" and "Falleras" were made using embroidered silks and special fabrics in a variety of colors and patterns, thus preserving the tradition of using ancient hand-made silk looms for production. In fact, Valencia is one of the few cities in Spain where silk is still woven on hand looms, an important aspect of the 2015 "Valencia City of Silk" proposal.

Another feature of the festival is the huge "Faya", a monument made up of comic works by local artists and craftspeople, which provides a satirical commentary on contemporary social issues. Often built in a town square, the Faja is a short-term construction, built by painters, sculptors and carpenters who dedicate several months of their time to it. It is burned to ashes on a bonfire at the end of the festival, on the night of St. Joseph's Day, symbolizing the revival of social activities. Throughout the parade band parades down the road, there is an abundance of street food, "Falleros" and "Falleras" fireworks and other pyrotechnics. A so-called "Queen of Faya" is also elected each year to promote the festival and encourage participation by locals and tourists.

The celebration is held from March 14 to 19 each year and symbolizes the arrival of spring, providing an opportunity for collective creativity and the preservation of traditional arts and crafts. It is also a source of community pride and contributes to cultural identity, which in turn strengthens social cohesion. In the past, the festival was a way to preserve the Valencian language at a time when it was forbidden, thus preserving and spreading cultural knowledge, and today it remains a reminder of Valencia's strong ties to the great Silk Road.

Sonm.es:World Sound Art The Museum is a public and social music database collection that has been in existence for 30 years and contains the music of thousands of artists from around the world.

These sound collections are not just for the sake of collecting. The project has been in progress since the late 70's, so that music lovers around the world can easily access, disseminate and exchange information.

The Sound Archive of Experimental Music and Sound Art, SONM, has been created as a public access resource -both physical and virtual online - with my entire collection of experimental music and sound art, gathered over the past thirty years of direct exchange with

This sound archive is not the result of a collector's accumulation (I am not a collector) but is instead not a collector) but is instead the consequence of an intense activity as an artist, and also of one of the most fundamental features of the international The archive is thus a personal collection, subjective, The archive is thus a personal collection, subjective, partial, and particularly focused on the global communities of so-called "independent" or "underground" artists, which I am part of since the late 70s.

In spite of this, however, since my sonic and pesonal interests have always been very wide, the natural result in the collection is a large variety and representation of the inmense universe of sound practices in With nearly 5,000 items on cassette, vinyl, CD, and DVD, at the time of its offical opening, this sound archive is predominantly composed of very small editions -in many cases self-editions by the artists themselves- encompassing all kinds of aesthetics, movements, periods, labels, and sonic , periods, labels, and sonic manifestations: electronic, concrete, industrial, noise, minimal, improvisation, soundscapes, glitch, turntablism, avant-garde, etc.

Further, the collection is in constant expansion with all the sound materials I personally receive and with the contributions of a myriad sound artists worldwide that want their work to be adequately preserved and promoted with the resources of this sound archive.

Hosted now permanently at the Puertas de Castilla Center in Murcia (Spain) the sound archive is now being cataloged and digitalized for both the physical and online public access (at the Center in Murcia and in the sound archive's website/database).