The Museo Nacional de Antropología in Mexico City is one of the largest museums in Latin America, located in Chapultepec Park in Mexico City. The museum is one of the main tourist attractions in Mexico City for its outstanding architectural style and exhibits that represent ancient Indian civilizations.

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The museum's collection is rich and the functional areas inside are well organized, with the exhibition rooms divided into two floors. The first floor has 12 display rooms, introduced anthropology, the origins of Mexican culture and Indian peoples, art, religion and life, and exhibits some of the culture and life of the peoples of Mexico before the Europeans came here, only the Spanish invasion of historical artifacts exhibits have more than 600,000 pieces. The second floor of the showroom exhibits Indian clothing, house styles, household utensils, religious vessels, musical instruments, weapons and many other artifacts.

The museum has a high status in the history of anthropology and was established with the discovery and preservation of the "Solar Calendar Stone". It is the most direct and quickest way to learn about the history of Mexico.

The Festival Internacional Cervantino ( Festival Internacional Cervantino is one of the most important art events in Mexico and Latin America, held in Guanajuato in mid-October every year for 20 days, showcasing artworks from around the world, mainly from Spanish-speaking countries.

Festival Internacional Cervantino ( Festival Internacional Cervantino originated in the mid-20th century with the performance of a short play by Miguel de Cervantes Saavedra, author of Don Quijote de La Mancha, in a square. The festival, named after Miguel de Cervantes Saavedra, was officially opened in 1972, the same year it was expanded to include more international productions.

The Festival Internacional Cervantino offers a wide range of activities, including opera, contemporary dance, theater, visual arts, film, literature and media, as well as workshops, exhibitions and conferences. These performances or exhibitions are held in various indoor venues around the city, including squares, theaters, churches, historic buildings or museums. If you visit the historic and elegant Teatro Juárez for a performance, you can admire the lavish interior decorations, including wood carvings, stained glass and other decorations.

There are also performances at the Teatro Principal and Teatro Cervantes, and you can catch up with Don Quijote and his cast at the entrance of the Teatro Cervantes. Quijote and his partner, Sancho Panza. You can take a picture with the statue of Don Quijote and his partner Sancho Panza at the entrance of Teatro Cervantes.

These three main theaters have more theatrical performances during the Festival Internacional Cervantino, but there are also a few theatrical performances during the non-festival period, so if you come here during the non-festival period So if you come here during non-festival times, you will have the opportunity to enjoy these theatrical performances that combine art and culture.

Every October, thousands of artists and tens of thousands of tourists from all over the world gather here to walk along the narrow stone roads, admire the colorful homes in the mountains, and watch the art performances on the streets and alleys, filling the town with a rich cultural atmosphere.

After 40 years, the Cervantes Festival has evolved from its earliest days when students dressed in Cervantes-era costumes and presented improvised theatrical performances in the piazza, to become the best platform for young artists to perform their works. With the support of the Mexican federal government, the Ministry of Culture and the Arts, the Guanajuato State Government and private enterprises, the festival has invited artists from all over the world, including music, dance, theater, visual arts and street performances, to gather together and prosper the arts and economic development of Guanajuato, and it has also become the largest international arts festival in Latin America. It has become the largest international art festival in Latin America, and is comparable in scale to other major international art festivals such as the Avignon Festival in France, the Edinburgh Festival in England and the Santiago Festival in Spain.

The Cancun Underwater Museum in Mexico ( Cancun Underwater Museum (MUSA) is one of the world's largest underwater museums, the museum originated from the Mexican National Marine Park's coral reef protection program, in Cancun's crystal-clear seabed has 500 life-size statue groups distributed in 200 square meters of the seabed.

Because of the increasing damage to natural coral reefs by boats and divers, the reefs are being damaged by the sea. In order to divert tourists, an innovative idea was created. Originally a man-made reef, the nature conservation project became an art project with the intervention of sculptor Jason Taylor. It took him 18 months, 120 tons of concrete and gravel, 400 kilograms of silicon and 38,000 meters of fiberglass to create 477 sculptures of human figures that were placed on the sea floor of Manjun near Cancun. These groups are divided into small areas according to themes, including "Silent Evolution", "Time Like a Shuttle", "Man on Fire", "The Saint" and other works. From 2009 to 2013, the Cancun Underwater Museum has set up three exhibition areas with a total of 500 statues on display.

The completion of the installation is a two-step process: the first step is The first step is to take the material for the statue. Jason started in the small fishing village where he lives, and took the molds directly from the faces of the villagers, giving a strong sense of realism to the life-size statues. After the molds were made, special concrete with a neutral pH value was poured and molded, so as not to pollute the underwater environment. Each statue has its own air holes and scratches, which are conducive to the attachment and growth of marine life. The installation is carefully placed on the seafloor and fixed to the seabed at a depth of 3 to 6 meters, and the second step of the installation will be completed by time and the ocean.

These statues are born from people who have actually lived in this world. These bodies, framed at a certain point in their lives, die at the moment of shedding, like cicadas. After they enter the water, they stand quietly at the bottom of the sea, waiting for a second life. All the figures have their eyes slightly closed, still loaded with the burden of life, immersed in a faint joy and sorrow.

One by one, the statues were placed in their resting places for seven years, and slowly seaweed sprang up from their ears, red twig-like fire coral from their eye sockets, and barnacles and starfish crawled all over their bodies. Their faces as human beings gradually disappear, slowly becoming a forest, an island of the future. Seaweed swayed on them, dancing with the sunlight, and the fish swarmed between the human figures, flying freely. Occasionally a small tropical fish will rub itchy on the face of a statue, the kind of tender intimacy, indescribable.

The statue is fulfilling its mission, using its humanoid body to provide a breeding ground for coral, and then to accommodate more marine life to breed and inhabit as part of the local marine ecosystem. Interestingly, these statues are still walking in that small fishing village, still going through the inevitable life of old age, sickness and death. The statues, however, will carry more life and flourish in the flux of life, living forever on the sea floor. This wonderful contrast makes people sigh.

The Mexican Baroque Museum (Museo Internacional Del Barroco) is a museum with the theme of Baroque art, exhibits from tangible paintings, sculptures, architecture, food, to intangible music, theater, literature, etc., but the most striking or master for the museum to create a sense of flow, a series of curved walls to break the original cold architectural barrier, allowing visitors to traverse one after another A series of curved walls break down the otherwise cold architectural barriers, allowing visitors to fully experience the spirit of the Baroque as they traverse one exhibition space after another.

The museum's site covers an area of approximately 5 hectares and is located in the eastern central city of Pueblo, Mexico. It is located about 7 kilometers away from the city of Puebla in east-central Mexico, at the intersection of two important roads. The site is connected to the city by car, bus or bicycle. The parking space is integrated in two levels on the east side of the museum, with 440 parking spaces, 4 bus spaces, and parking for 42 motorcycles and 50 bicycles.

The front of the museum is designed with a large plaza It is designed to accommodate visitors. The plaza includes drop-off spaces for cars and buses, benches, information boards, a large interpretive platform, and an entrance canopy to welcome visitors. The façade allows for exhibition-related projections at night, while allowing the museum to be seen from a distance.

The building has a maximum height of 19.52 meters, rising 2 meters from the ground. It can therefore be easily seen from the two main roads and becomes a symbol of the surrounding area. The museum occupies two floors above ground. The total area of the building is 18,149 square meters, of which 9,855 square meters is on the ground floor, 7,316 square meters is on the second floor and 978 square meters is on the mezzanine. The concrete walls and floors were custom-made by a professional company and the structural system is entirely prefabricated. The exterior walls are prefabricated panels and the interior walls are cast in place. The prefabricated part is sandwiched by two 65mm white concrete blocks to create a direct exterior effect. The interior is a gray concrete cast in place on the site.

The exposed concrete has a certain texture to cover up the imperfections caused by the construction. The load-bearing walls are 36 cm thick and are prefabricated elements. The floors are semi-prefabricated panels, which are very easy to assemble. The structural strategy of the museum is considered as a whole, which allows for good earthquake resistance. The foundation section has different height differences according to the specific needs of the outdoor area.

The exhibition spaces are mainly located on the first floor, entering the building into the lobby and then directly into the exhibition spaces, atrium and upper floors. The ticket office, offices and stores are also located in the central lobby. In the lobby, you can rest on custom-made benches, and the space is directly connected to the exhibition section, allowing direct access to the permanent or temporary exhibitions.

There are eight permanent exhibition halls, each with a different theme, which together form the whole picture of Baroque art. Each of these rooms has a different theme, and together they form a complete picture of Baroque art. They use art, architecture, drama, music and literature to express the influence of the Baroque on all aspects of daily life. Eight rooms are connected to the terrace to enjoy the view of the surrounding park and lake. The courtyard is 1,800 square meters in size, where visitors can relax, and there is a huge fountain on the façade. Water is also a theme of Baroque art and is the inspiration for this museum.

The Baroque Museum can serve as a center of cultural exchange, not only within Mexico, but also with international ambitions. People from all over the world can exchange their ideas and feelings here. This cultural facility will become the focus of global attention and a source of joy and glory for the Mexican people.